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  • Walking the Path of the Ancestors: From Wismar to Modern Celebrations

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Blog Posts

Ink and Starflower

Compost Companions


This piece came from a prompt at Penrith Writers’ Group as part of Great Big Green Week: Together For Good.
It made me reflect on the community in my garden.

Compost Companions
© Veronika Sophia Robinson

Deep in the dark,
the compost heap rumbles with busyness.

The surrounding air
rich with the scent
of sweet earth, fermenting fruit
and promises.

Listen closely, now,
as the silence breaks:
the rhythmic sigh of decay
breathing new life.

Frogs, toads and hedgehogs
find sanctuary.
Insects hover over the compost,
woodlice lie in wait,
the curled-up millipede naps,
beetles scuttle back and forth.
Can you hear
the scratch of tiny claws?
Or the slow slide of slugs?

There’s a furious feast below
where hundreds of muscular worms
churn scraps into black loam,
soon to be soft as silk.
I plunge my hand
into the warm yielding soil
as it crumbles through my fingers.


Fashioned from rough splintered pallets
and an old stone wall,
and tucked beneath
the hazel and cypress trees,
this three-sided compost heap
now surrounded by
a lilac picket fence,
breathes in and out.

From first light of day to last,
this cycle of death,
birth and renewal pulsates.

I’m only one of many regular visitors,
appearing at different times of day.
The damp, dew-kissed grass
kisses my bare feet,
in the soft light of morning,
while the world is asleep;
and later, the warmth
of the midday Sun
settles on my shoulders.
I tiptoe here
beneath the twinkling
promises of twilight.
No matter the hour of the day,
I am welcome.

My garden,
a shrine to Mother Nature,
the compost, an altar:
a place of ritual and reverence.

Like a bride carrying
her bouquet towards the threshold,
I bring my devotional offerings:
sharp tang of orange rind
cut in one elegant spiral,
pitted-out potato eyes,
the bitter perfume
of wet coffee grounds,
dry crunch of shattered eggshells,
slick-skinned avocado stones,
zesty lemon slices left over
from my hot morning cuppa,
abandoned courgette ends,
unbleached Rooibos teabags,
cradled pumpkin skin,
pointy pineapple crowns,
aubergine collars so regal,
well-nibbled apple cores,
the heavy sweet scent of brown-spotted banana peels,
a soft rustle of paper-thin,
pinstripe onion skins,
tough cauliflower leaves,
discarded green bean tops,
wiry white roots from spring onions,
corn cobs with pocked sockets,
stumpy celery stub,
tangled tomato vines,
woody asparagus ends,
seeds from peppers,
fresh-shorn grass clippings,
sweet wood chippings.

Potatoes grow here with gay abandon,
like naughty school children
tussling upward, whispering,
“Look mum, no hands!”
A random chamomile
digs in her roots.
A wild rose clambers
along the stone wall
calling “What about me?”

Nearby, the blueberry bushes
stretch their roots below.
Blossoms beckon berries into being.

Dew settles on the fennel fronds.

Our black cats sunbathe on top
snoozing in the midday Sun
enjoying the compost’s ambient warmth
an eye half open for unsuspecting mice.
This garden, with her mature trees,
is a hotel for birds.
The compost heap is their Heathrow:
a landing strip between the trees,
the bird-feeding station and bird baths.

An unseen magnet gathers
a choir
of curious compost companions.
From the corner of my eye
I catch the flash
of the red-breasted robin,
hear the percussive rhythm
of the great spotted woodpecker,
a starling, the chatterbox of the compost,
rich fluting melody of the blackbird,
and the sharp chirruping song thrush.

The colour purple writes a motif amidst the rooted blossoms:
lilac, lavender, lupins, lobelia,
clematis petals brushing
against my skin,
chive blossoms,
aquilegia swaying in the breeze.

The old holly tree,
matriarch of the garden,
offers her white confetti blossoms to the Earth.

Bumble bees sip from water stations,
butterflies dance
from bloom to bloom.
Harmony and happiness live here
in this community setting.

The compost heap is full now.
“It’s time to let this one rest,”
I say to my husband.
“We’ll build a new compost.”
Without saying as much,
he knows it’s a Royal ‘We’.
But before long
he’s roped in
to carting pallets,
assembling and nailing corners.

A new green frame rises
against the beech hedge,
and meets the thick fragrance of lilac.
The air turns sweet, heavy, and alive.
A fresh pulse of heat.
The promise of renewal.
A new heartbeat in the garden.
Another chance to show this
Earth that I care.

The old altar falls quiet,
or so it seems.
My work there is done.
For now.

July 28, 2026/0 Comments/by Veronika Sophia Robinson
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Ink and Starflower

Waiting Around To Die

This piece came from the prompt given at Penrith Writers’ Group: Waiting.

Waiting Around To Die
© Veronika Sophia Robinson

Trapped in this windowless room
Someone snatches the air I breathe.
A prison of predictions:
“Your mother’s dying,” they tell me.

I long to hold her in my arms,
to say “it’s going to be okay”
But, maybe, what I really want is someone to promise me that.

The day mortality was first thrust into my life,
as a four year old,
I stood in the shadow of Omniscience
Trembling.

My cat, flat as a pancake on the bitumen,
Scraped off with my father’s spade,
As her motherless kittens mewled inside our home
without her.

I knew then and there that
my mother could never
ever
ever
ever
die.

I would not survive.

For more than half a century, I tread water
Waiting
Waiting
Waiting

For the day which will change my life forever.

Living
Half living
Half expecting
If not now, when?

And then I see it, the horizon drawing closer.

Insomnia insists,
like indelible ink stains,
on infiltrating mind, muscle and memory.

I wait for sleep to beckon. And I wait. And wait. Wait.
Sleep has gone a-wandering.
Walking in another direction without a backward glance.
I watch the Sun rise outside my window
knowing it will soon set upon my mother’s life.

I should feel grateful. We have time to say goodbye.
Video chats link a fading life,
repose in an Australian hospital bed,
to me in my living room.

Living?

I feel like I’m dying right alongside the woman who
Once buttoned my cardigans
Squeezed me fresh orange juice each morning
Plucked her mandolin at bedtime while waiting for me to fall asleep.

Now it is I who must wait for her to
Fall
Fall
Fall
…asleep.

Where do we go from here?

Motherhood is a mystery.
I waited for four beautiful babies to be born
Tender souls to be held
with lullabies, love and longing.
Instead, their bodies were expelled.
No more waiting. No celebration.

Sudden death spares you
Of the endless waiting room.

My father, like my first cat,
Obliterated on bitumen.

I didn’t wait for his death,
Afterall, dad was going to live to 100,
But the long-haul flight to Australia to say goodbye,
Is nothing but…
waiting,
waiting,
waiting.

Seven-hour layover in Paris airport
Watching the waxing Moon, and weeping, as we fly over Russia
―Oh my God does that land mass never end?―
Body search in Hong Kong
Finally, Australia.

“Welcome home,” they say, as I pass through Brisbane airport.
Welcomed back in my homeland
when I’ve been away for years.
For a moment, I feel held.

Maybe they’ve been waiting for me?

Sudden death spares you
Of the endless waiting room.

My best friend of eighteen years
Lingered in the depths of life-long depression,
dreary and dark
as molasses,
with the forecast of a futile future.

Not the Christmas Day I was expecting.
All it took was a dog lead. I pray it was swift.
That there was no waiting around.
Christmas will never be the same again.
I wait all year for my favourite festivities
that feel forced now.

From grief, I rise. Slowly. So slowly.
Can you ever recover from what feels like
being pummelled in a dozen rounds with Muhammad Ali?

My two daughters and granddaughter
Whisper, wait and welcome their dreams.
As do I.

And still, my mother is waiting around to die.

I live in the waiting room of memories; grief, past and present.

Anticipating death
robs you of tomorrow,
steals today,
starves you.

My mother is starving too; starving herself to death.

An orphan at 57
is still an orphan.
A motherless child.

Where was mother waiting
during the last few days of morphine-induced, legally sanctioned death?

Motionless
Barely a whisper of breath
Yet, a heartbeat so strong and steady and solid till the end.
The end.

And then, suddenly, she’s kicked out of the waiting room:
Her eyes open wide!
The deepest breath of her life…in, in, in
And then, whooooooooosh, as she sails out of here
11.11am
New Moon in Pisces
Shhhhhhhhhhhhhhhhhhhhhhhhhhhh
Silence.

My phone rings. Here, it’s the middle of the night.
“She’s gone, sis.”

How can there still be tears? Where and why do they wait in such numbers?

The waiting is over. Or is it?
Perhaps it’s never over.
Maybe all we do is wait.


And now, after my year-long hibernation in grief’s sticky tendrils,
I lie in bed, near midnight, listening to the sound of the clock
ticking
ticking
ticking
my life away.

How many summers do I have left?
This one? Five? Maybe even twenty?

Death has changed me. Again.
An incubator of trauma and transformation.

My inner spark―
waterlogged beyond recognition like fingertips after falling asleep during a long bath―
asks:

“Who am I now?”

I am still someone, and yet I’m no one,
but this I do know:
I’m just…
Waiting around to die.

July 28, 2026/0 Comments/by Veronika Sophia Robinson
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Ink and Starflower

The Bloodline of the Threshold

This piece came from a writing prompt on ‘heritage’, and weaves in my Australian childhood, German ancestry, and life as a funeral celebrant in Cumbria.

The Bloodline of the Threshold
© Veronika Sophia Robinson

Year upon year has been spent
walking the wind-eroded borders of other people’s grief.
A weaver of word medicine
standing in the silent spaces
where life has slipped away.

These hands have become well-practised
at cradling
the heavy, bruises of a sudden ending,
guiding families through the raw and ragged thresholds of loss.

This devotion always felt like a path carved
solely out of personal, soul-led intention.
But blood bears its own memory.
History was waiting,
written in the indelible ink of a distant shore.

A legacy of lands rests within these bones.
A childhood shaped by the sun-baked earth
of an Australian home,
filled with the song of fresh-water creeks
and the soft, silver shimmer of eucalyptus-clad mountains.



Woven deep in the heart, wherever I roam,
This is my heritage, this is my home.

Beneath the red sandstone of these northern Cumbrian hills
and the dust of that southern childhood,
lies an interior landscape belonging entirely to the Baltic coast.

When the archival vaults of Germany finally unsealed,
I held far more than cold dates on faded paper.
I heard a sacred, aching echo.

Deep within those pages stood my grandmother, Liselotte,
amidst the terrifying, relentless Winter of the 1940s:
World War Two.


Within a span of just four years,
as the world fractured and collapsed around her,
she endured the ultimate undoing.

Woven deep in the heart, wherever I roam,
This is my heritage, this is my home.

One by one, three of her babies
—Volkmar Frank, Rainer-Gerwin, and Ute Bärbel—
stayed for
only a heartbeat,
a day,
a few fleeting weeks,
before slipping back into the deep, dark earth.

To be the granddaughter
of such a woman
is to inherit a legacy forged
at the absolute edge of human endurance.
She lived through the quietest, deepest tragedies
under a war-torn sky,
and that survival is etched in my genes.

Woven deep in the heart, wherever I roam,
This is my heritage, this is my home.

Holding space for a grieving parent today,
or anchoring a soul in the stormy waters of loss,
is never a solitary act.

The emotional sanctuary I build for others
was created generations ago
in the fires of her resilience.

The eucalyptus mountains of my past
and the wild fells of the present
are bound together by my grandmother’s life and losses.

Woven deep in the heart, wherever I roam,
This is my heritage, this is my home.

There is a profound, cosmic geometry in this lineage.

Turning their backs on rigid, stone cathedrals,
my grandparents chose instead to look
to the sky and the soil for solace.

To them, the divine was alive
in the ancient, whispering beech forests of Germany
and the eternal turning of the Sun.

When my mother was born into that wild, Pagan landscape,
they named her Dagmar: meaning Joy of the Land.
This is the medicine running through these veins:
a heritage that knows
how to find beauty in the bruise,
how to honour a passing without conventional scripts,
and how to trust the natural laws of renewal.

Woven deep in the heart, wherever I roam,
This is my heritage, this is my home.

My German ancestry lives within
distant geographic facts,
yet stands on an ancient, subterranean strength.

Whenever I step into the fresh northern air
to weave a conscious ritual for the living or the dead
it allows my grandmother’s unspoken sorrow
to transform into a healing narrative.

From the ancient southern lands of my birth
to the Cumbrian fells of now,
the path she cleared through the dark
remains open,
keeping the circle unbroken.

Woven deep in the heart, wherever I roam,
This is my heritage, this is my home.

July 28, 2026/0 Comments/by Veronika Sophia Robinson
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Ink and Starflower

Sounds of the Summer Solstice

This piece is about the suspended, amber stillness of a midsummer dawn and the ten different birds I can hear. 

 

Sounds of the Summer Solstice

© Veronika Sophia Robinson

 

The shortest night dissolves,

slipping away before it has fully begun,

leaving me suspended in the amber stillness

of the Summer Solstice.

 

I float in this exquisite, liminal threshold,

a sacred space where the fading dark

reluctantly yields to the longest day.

This is the great cosmic turning point,

the pinnacle of light before the slow,

inevitable tilt back toward the dark.

 

Against my cheek, the cool satin pillowcase

offers its refreshing, smooth greeting,

while beneath me,

the thick comfort of the mattress topper

cradles my ageing hips,

soothing the aches of yesterday’s digging.

 

Through the open window,

the rich, green scent

of rising dew on the meadow grass drifts inward,

sweet and heavy with midsummer promise.

 

Then, the silence fractures as the dawn chorus erupts,

a deliberate symphony I think of as the Song of Ten.

 

The wood pigeon begins,

grounding the morning air as its rhythmic,

soothing coo-COO-coo-coo pulses through the valley,

echoing the steady, ancient heartbeat

of the Earth at its peak.

 

Nearby, a bright, energetic fink-fink

tumbles from the hedge as a chaffinch

darts through the shadows,

its sudden verse awakening the garden.

 

I lie completely still,

overwhelmed by an immense wave of gratitude

for this rich, grounded life,

breathing in the harmony of this place.

 

From the old stone wall,

the gentle, repetitive purr of a collared dove echoes, nesting close,

while a sharp, percussive crack-crack-smash rings out;

the industrious song thrush shattering a snail shell against its favourite rock.

The busy great tit joins the rising tide,

its metallic, seesaw tea-cher, tea-cher call

ringing sharp through the cool air.

 

This chorus acts as a healing balm for the soul,

washing away the noise of the outside world,

celebrating the fleeting moment

when time itself seems to stand perfectly still

at the solar peak.

 

The golden light spills across the fells as a robin

pours out a tender, silvery, liquid stream of notes,

closely followed by the astonishingly loud,

vibrating explosion of a tiny wren’s trill.

 

High above, a bold blackbird

launches its defiant, flute-like melody,

completely unbothered

it pinches the early ripening cherries

straight from my trees.

 

A conversational, chaotic philip-chirrup

erupts from a cluster of sparrows in the foliage,

while the sharp, metallic jak-jak of the jackdaw patrols the rooftop line.

I rest anchored in this nest of satin, feathers, and song, deeply thankful

for the privilege of witnessing this sunrise,

watching the solar fire ignite the fells

as the Sun fully claims the longest day.

 

July 28, 2026/0 Comments/by Veronika Sophia Robinson
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Ink and Starflower

The Midnight Muse

This piece explores the intense, almost haunting relationship between a writer and the late-night creative spark that refuses to let them sleep. This is called My Midnight Muse.

The Midnight Muse

© Veronika Sophia Robinson

She comes in the silent and velvety dark,
Slipping in softly to kindle the spark,
Weaving her words where the shadows grow deep,
A temptress of night while the world is asleep.
She penetrates down to the soul of the page,
A midnight companion, a ghost on the stage.

“Come now,” she whispers, “I need you awake,
The words are all waiting, they’re yours for the take.
I know that you listen, I know that you dare
To capture the syllables hanging in air.”

This hour is ours, a nocturnal throne,
With a breeze through the window as cool as a stone,
It tingles the skin as it sweeps through the room,
Inviting the poetry out of the gloom.
An hour in her presence expands and takes flight,
A moment of magic that lasts through the night.

Now drawn to the lamp and hungry for light,
A flapping of wings breaks the peace of the night;
The creatures of darkness are moving with grace,
Reminding the soul we must all find our place.
For each has a rhythm, a voice, and a spark,
And each has a unique way of leaving a mark.

“Come to me, come to me, deep in the dark,
And leave on the paper your permanent mark.
Together we’ll write from the scar, not the fight,
In language and longing and literary light.
So stay by my side as the phantom words glide,
And swim deep into this literary tide.“

Then chased from my bed by the glare of the dawn,
The midnight companion is suddenly gone.
The heat of the morning Sun strikes the first line,
The muse has departed, and the writing is mine.

July 28, 2026/0 Comments/by Veronika Sophia Robinson
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Ink and Starflower

The Midnight Circus

This piece begins in the quiet sanctuary of an Eden Valley night, though as you’ll see, the peace doesn’t last long.


The Midnight Circus
© Veronika Sophia Robinson

A cool breeze flows steadily
through the open window,
cutting through the vast,
rural stillness of the Eden Valley.

It washes over my skin,
clearing the lingering warmth of daylight
and carrying the deep, undisturbed quiet
of the countryside into the bedroom.

There are no city hums here, no rushing traffic,
just the immense silence of acres of meadow grass
and distant fells resting under the night sky.

By my bed, the flowering jasmine claims the dark.
Clusters of star-shaped white blossoms
gleam like pale pearls in the silver moonlight,
their delicate petals luminous
against the deep shadows of the wall.

Blossoms unfurl.
Each one exhales
a thick, intoxicating perfume dominates the room,
wrapping around me
and weaving through the heavy warmth of the sheets.

 



The solitary, haunting hoot of an owl
echoes from the distant woods,
vibrating through the rural quiet,
but my senses always return to the jasmine,
its sweet spell anchoring my mind in pure peace.

Suddenly, the stillness fractures.
A soft scratch on the sill. Two fluid shadows blur.
Our cats Pelé and Kali
leap through the open frame,
breaching the boundary
and treading the crisp white linen.

Their paws crinkle the pristine duvet
with the wild energy of the night.
Instantly, Pelé collapses against my side,
melting into the fabric
and vibrating with a heavy, rapid purr.

But Kali ignites.
She storms across the floor!
She races in frantic circles!
She skids on rugs, bats at shadows,
and makes a riotous racket,
utterly thrilled to invade this forbidden territory.

I lie trapped beneath Pelé’s warmth,
caught between amusement and sighs
as Kali’s wild midnight circus swirls.

Through the chaos,
the luminous jasmine keeps breathing,
exhaling its steady, quiet calm,
until the fiasco finally fades,
the rural silence reclaims the house,
and the fragrant dark folds us all to sleep.








July 28, 2026/0 Comments/by Veronika Sophia Robinson
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About Veronika

Veronika Sophia Robinson is a celebrant, celebrant trainer, and the author of many non-fiction books and novels.

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